Guide Silêncio: Filmando! (Portuguese Edition)

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Artist Bryan Zanisnik transforms personal history into performance art. At his parents' home in Springfield, New Jersey, Zanisnik digs up the long-forgotten home movies he made as an adolescent. Inspired by Hollywood film directors like Martin Scorsese, the VHS movies are an unironic mix of slapstick comedy and gangster violence, with Zanisnik's grandmother often playing an armed and dangerous protagonist. Uncovering the videos in graduate school was a eureka moment for Zanisnik. Tightly confined inside the sculpture and straining to move through the building's hallways, Zanisnik intentionally knocks into passers-by, challenging them to respond.

For Zanisnik, the performance evokes his own emotional journey from a reclusive teen to the artist he is today.

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Sofia Marques accompanied him in this unprecendented adventure: to memorize and speak the whole of the poem. Outros instrumentos foram adicionados durante a performance enquanto se projetava o primeiro registo. Improvisation of painting and music onthe well-known jazz theme of "Caranvan" was filmed.

After, this film was used as a base for adding the main instruments and voices, while being projected. A dificuldade acrescida foi que elas tinham que actuar em Espanhol. When I arrived to live in Bethlehem, Palestine, the first thing that caught my attention were its people, so far from the prejudices which the media has subjected us to, as well as the propaganda against these people who are only looking to have their rightful place in the world recognized. And what I found was a "normal" population. When Eva, the Spanish teacher, talked to me about writing a play, we started it immediately "The House of Bernarda Alba" was perfect, and only women had shown up to the call.

The added difficulty was that they had to perform in Spanish. I, too, acted in the play, I thought it was the best way to approach the girls. And then, I had my camera, some basic sound, and I decided to go ahead, despite knowing the technical limitations, we were two, my camera and I, but I decided to get as close as possible to these intelligent, beautiful, happy, good women, with dreams, despite the reality that keeps them trapped.

Fica inicialmente paralisado de metade do corpo, mas nem por isso a sua teimosia se deixa de impor. By the end of an incredible life full of adventure, misfortune and surreal accomplishments, a self-taught drummer, exalted to jazz kegend among the community for having introduced to the stage dozens of inexperienced young people acclaimed today in the music industry, suffers a stroke. At first, half of his body is paralyzed, but his stubbornness is overpowering.

The mission is ambitious: to regain full movement, play the drums once again, introduce one last singer and return to Paris, where he played with Nina Simone and lived under a bridge. Carla Cabanasn work process is revealed. Through time, memory and absence, how does the artist perceives her work and how can she preserve what has fade away. Uma vez, outra vez. We've accustomed, erroneously, to furiously fear our body's fragility. This fragility which is so controversial to us to the point of inducing in ourselves the typical and contained movements, already tired.


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Once, twice. The same movements, the fears, the counted expirations, the subtracted bodies, the blind horizonts.

PDF Silêncio: Filmando! (Portuguese Edition)

But the day comes when we understand that the fragility is precious, and that the movement's arrhythmia is safe. And when we dance, accomplices, in the differences of a shared fall. Australian-born photographer Robyn Beeche became renowned in London for her iconic 80s images. In a time rich with experimentation and creativity, she was celebrated for her ground-breaking photographs of painted bodies, and collaborations with counter-culture personalities Zandra Rhodes, Vivienne Westwood, Leigh Bowery and Divine. At the peak of her career, Beeche was transformed when she experienced the Indian colour-throwing festival of Holi.

A Life Exposed: Robyn Beeche weaves between Australia, London and India, dramatically depicting Beeche's extreme paradigm shift from highly constructed studio body-painted images, to documentation of a culture where body transformation occurs spontaneously as part of saturnalian religious rituals. Short and simple story: my friend made a painting from a photograph about a manifestation against the economic crisis and I made a film from that painting.

Between these two objects lies a path, which began in a casual photograph and ended in a poorly-lit garage. The film is, in order of importance, a short film about a place, a friend, a creative act, a painting and the silence of one manifestation.

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Braz, F. Conti-Ramsden, G. Maternal recasts and other contingent replies to language-impaired children. Journal of Speech and Hearing Disorders , 55 2 , Language interaction with atypical language learners. Richards Orgs. London: Cambridge University Press. Fraiberg, S. Blind infants and their mothers: an examination of the sign system. Before speech : the beginning of interpersonal communication pp. Hampson, J. The relation of maternal language to variation in rate and style of language acquisition.


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  • Falling.

Journal of Child Language , 20 , Kreutz, C. Estudos de Psicologia Campinas , 26 4 , Mendes, D.

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Seidl de Moura, D. Curitiba: CRV. Nelson, K. Available input for language impaired children and younger children of matched language levels. First Language, 15 1 , Nogueira, S. Oliveira, J. Oliveira, T. For this film, the artist and the film director enter the uncanny territory of this giant, yet almost invisible web to address the white cube space as concept, as an experiential endeavour, and the way it controls us.

Through it they question unresolved dualities: the fine line between disorder and affection, geometrical order and disturbance, rationality and magical thinking, discipline and eroticism, void and pregnant, organic and artificial. Anastasia Lapsui is the first film-maker from the Far North of Russia to have filmed her people in her mother tongue - Nenets.

Born in the Yamal tundra in , she bears witness to the end of an era, filming a world in the process of mutation.

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With the same desire to pass on knowledge I filmed Anastasia Lapsui in her daily and professional life. Through a "making of" from her latest film-shoot, this is a portrait of a film-maker and her people, the Nenets of the tundra. How does an artist figure out what's truly essential? Artist Bryan Zanisnik transforms personal history into performance art.

At his parents' home in Springfield, New Jersey, Zanisnik digs up the long-forgotten home movies he made as an adolescent. Inspired by Hollywood film directors like Martin Scorsese, the VHS movies are an unironic mix of slapstick comedy and gangster violence, with Zanisnik's grandmother often playing an armed and dangerous protagonist. Uncovering the videos in graduate school was a eureka moment for Zanisnik. Tightly confined inside the sculpture and straining to move through the building's hallways, Zanisnik intentionally knocks into passers-by, challenging them to respond.

For Zanisnik, the performance evokes his own emotional journey from a reclusive teen to the artist he is today. Sofia Marques accompanied him in this unprecendented adventure: to memorize and speak the whole of the poem. Braz, F. Conti-Ramsden, G. Maternal recasts and other contingent replies to language-impaired children. Journal of Speech and Hearing Disorders , 55 2 , Language interaction with atypical language learners.

Richards Orgs. London: Cambridge University Press. Fraiberg, S. Blind infants and their mothers: an examination of the sign system. Before speech : the beginning of interpersonal communication pp. Hampson, J. The relation of maternal language to variation in rate and style of language acquisition.